Download New Music: Why Don’t We – Don’t Change
Why Don’t We dishes out a brand new smashing hot and dope single tracks entitled “Don’t Change”. I’d never been to a boy band concert, though I’m plenty familiar with the concept. I was eyewitness to the Backstreet/N’Sync Wars of the 1990s, after all, and lost my own sister to a New Kids incursion. Still, nothing prepares you for the actual event. Like true love or a hydrogen bomb blast, it’s something you really have to experience in person. It’s also something that renders conventional means of reviewing shows nearly useless. Sure, we who endeavor to convey our experiences watching musical performances like to take into account musicality, pitch, song variety, and overall entertainment value, but these factors are hard to gauge when 6,000 tweens are doing their best to shatter every wine glass in a three-mile radius.
Why Don’t We is not only the latest in a long line of musical youngbloods who have besieged us since the Bay City Rollers “Shang-A-Langed” their way onto our shores, they’ve distilled the purest essence of their forebears into a musical combination as potentially lethal as it is infectious. And after listening to the Smart Financial Centre crowd’s reaction to their “8 Letters” show last night, the contagion has almost spread beyond containment.
That’s probably enough for the WMD metaphors.
Opening with their biggest hit to date, the Ed Sheeran-penned “Trust Fund Baby,” the fivesome — consisting of Jonah Marais (“Mr. Sensitive”), Corbyn Besson (“Godzuki”), Zach Herron (“The McCartney”), Daniel Seavey (“Joey Tiribbiani, Jr”) , and Jack Avery (“Haircut 100”) — easily seized control of the crowd. Compared to others of their ilk, the stage was minimalist: five platforms for the singers and a video screen to offer various visual accompaniments (undersea vistas for “In Too Deep,” digitized versions of themselves on the phone during “Talk”). Unlike their ’90s ancestors, WDW aren’t much for fancy dancin’. They slid and slunk across the floor in coordinated fashion, sure, but there was little in the way of elaborate choreography. Frankly, when the simple act of strolling to the front of the stage draws ear-splitting shrieks, why risk an ACL tear?. And it isn’t really fair to give the band a hard time for the crowd’s reactions. Screaming at concerts is more or less instinctive for teens at this point, and likely would’ve taken place if WDW had merely pouted under mood lighting for 75 minutes. But their harmonies were tight and they transitioned smoothly from pop to R&B(ish) to hip hop (the mid-set mash-up featured Post Malone’s “Better Now,” among others).
Then again, it was kind of fun to note exactly what was eliciting the screams in question. Going by my own hazy recollection, the loudest were in response to references to Houston, prom, and the skinny one Corbyn saying his pants were falling down.
You charge $65 for a hoodie, son. Buy a belt.
Why Don’t We’s career trajectory is as steep as it is brief. Since announcing their very existence in 2016, they’ve gone from playing malls to arenas, and their fans — for now — are happy to tag along. The two oldest members are only 20, so they hopefully have a couple more years before vanity projects and celebrity romances spell their doom. Judging by last night’s show, their fame still has plenty of room to grow. This is the kind of song(s) you wouldn’t want to miss on your playlist.
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